{"id":1733,"date":"2025-12-12T07:33:38","date_gmt":"2025-12-12T07:33:38","guid":{"rendered":"https:\/\/pfad-des-gedenkens.de\/vintage-2025\/"},"modified":"2025-12-15T08:27:12","modified_gmt":"2025-12-15T08:27:12","slug":"vintage-2025","status":"publish","type":"page","link":"https:\/\/pfad-des-gedenkens.de\/en\/vintages\/vintage-2025\/","title":{"rendered":"Vintage 2025"},"content":{"rendered":"\t\t
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Vintage 2025:
\"In the face\" - clay reliefs<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Year 2025 continued the “Path of Remembrance” project and expanded it to include an artistic form. The pupils developed clay reliefs in which they modeled expressive faces – again inspired by biographies of former prisoners of the S III satellite camp. These clay works were then fired and form a permanent addition to the large concrete sculptures from the previous year. <\/p>

The reliefs are designed so that they can be presented on walls, for example in Ehrenstein Castle, in the documentation center or in the protected entrance area of the Muna, Crawinkel. The vintage thus created a new form of encounter with the people behind the figures: The faces appear close, vulnerable and personal – and make it possible to keep memories visible, even indoors. The intensive manual work with clay, the examination of historical photographs, the research into prisoner biographies and the conscious artistic interpretation deepened the students’ understanding of the individual history of the victims and the importance of remembrance today. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The class overview <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Class 9\/1<\/strong>
Leni Bissendorf, Nick Dehler, Zoey Josephine Helder, Henriette
Hermann, Leonie Alina Hofmann, Maya Pauline Hoppe, Leia Kaufmann, Mia Aurora Koch, Tristan K\u00f6nig, Jeremy Kr\u00e4mer, Maxim Richard Leffler, Paula Leffler, Luca Noel Liebetrau, Sunny L\u00f6chner, Marie Nagel, Ole Nowag, Mia Ostermann, Marlon Rosenberg, Celine Scheunemann, Lena Sch\u00fctz, Clara Simon, Floyd Stein, Lemalian Suchomel, Vlasyslav Vialykh, Jonas Wichmann, Jonas Wille, Anton Gerry Willing<\/p>

Class 9\/2<\/strong>
Leni Backhaus, Benjamin David, Luc Holland-Letz, Leonard Hoppe, Helene Juszak, Hannah Kliem, Adrian Joshua K\u00f6llmer, Greta K\u00f6nig, Leni K\u00f6nig, Jonas Leonard Kroner, Pascal Lux, Karl G\u00fcnther Mohs, Ben Olscha, Tudor- Stefan Orbulescu, Alessia Rose, Liam Elias Schimpke, Yann Schmidt, Toni Rob Siegel, Josi Stichling, Fabien Elias Thuns, David Cristiano Trisca, Sophie Wachs, Arthur Fred Zwink<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Vintage 2025: “In the face” – clay reliefs Year 2025 continued the “Path of Remembrance” project and expanded it to include an artistic form. The pupils developed clay reliefs in which they modeled expressive faces – again inspired by biographies of former prisoners of the S III satellite camp. These clay works were then fired […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1751,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1733","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nVintage 2025 - Pfad des Gedenkens<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pfad-des-gedenkens.de\/en\/vintages\/vintage-2025\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vintage 2025 - Pfad des Gedenkens\" \/>\n<meta property=\"og:description\" content=\"Vintage 2025: “In the face” – clay reliefs Year 2025 continued the “Path of Remembrance” project and expanded it to include an artistic form. 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